“Indeed as “Last Mountain Waltz” ends things with its yearning for the freedom of the open air, you do wonder how far this widescreen, ambitious record can take her.” Read the whole article MaximumVolumeMusic.com: http://www.maximumvolumemusic.com/hadley-mccall-thackston-hadley-mccall-thackston-2018/
“McCall Thackston has a bright, buoyant voice ideal for bittersweet love ballads and moodscapes of melody and melancholy.” Read the whole article at Fervor Coulee: https://fervorcoulee.wordpress.com/2018/06/24/hadley-mccall-thackston-review/ But that’s not all! Fervor Coulee also chooses HMT in the mid-year “Favourite Roots Albums of 2018, so far” list: “A beautiful, stunning debut: like Venus, she emerges fully realized…” https://fervorcoulee.wordpress.com/2018/07/01/favourite-roots-albums-of-2018-so-far/
“…the songs on Thackston’s eponymous debut record… happened to have been written on various porches from Decatur, Georgia to Cedar Mountain, North Carolina to Wolfe Island, Ontario.” Read the whole article TheDailyCountry newzpharmacy.com.com: http://thedailycountry.com/interviewsessential-8/essential-8-hadley-mccall-thackston
“Our Song of the Day is delivered by the exquisite vocals of 25-year-old Hadley McCall Thackston who hails from Decatur, Georgia. Butterfly is the opening track of her eponymous debut album (out on Wolfe Island Records on June 15, 2018), one that’s sure to win the hearts of many on first listen.” Read the whole article at FolkRadio.co.uk: http://www.folkradio.co.uk/2018/05/premiere-hadley-mccall-thackston-butterfly/
A new artist finds her voice during an unforeseen pilgrimage that starts in Decatur, Georgia and leads her to an old post office on a remote island of Ontario, Canada Continental Record Services (CRS) distributes Hadley’s record across Europe “Hadley McCall Thackston’s debut album is utterly charming. Excellent songs and great musical arrangements. “Change” is a pretty damn effective plea …
“A great CD. Good numbers, meaningful texts and excellent performance.” — (via Google Translate)
“Let’s begin with props where they are surely due: this album sounds like a rock album should. It has not been overproduced or overprogrammed. Every instrument—guitar, bass, drums, organ—sounds live, regardless of how or when it was recorded. And it’s clear Autotune never touched the vocals, whose imperfections shine like diamonds, reminding you that this is real music made by real human beings.”
It looks like a community centre or a campus – inmates live in shared housing, wear their own clothes, order groceries once a week – but Kitchener’s Grand Valley Institution for Women is a prison. “We can walk around [between buildings],” an inmate tells me, “but we can’t leave.” We’re sitting in a gymnasium set up for a special International …
Talk about dropping bars behind bars. Inmates at the Grand Valley Institution for Women in Kitchener have released a 10-song music album, called “Undisclosed Location.” It’s the first album written and recorded at a federal women’s prison in Canada and part of the Pros and Cons Program. Founder of the program Hugh Christopher Brown tells 570 NEWS it all started …
When she first walked through the doors of the music room at Grand Valley Institution for Women, Bayley didn’t know what to expect. “I never knew I was musically inclined,” she told CBC News køb viagra i danmark. “I never played an instrument before in my life.” But when another inmate put a bass guitar in her hands and a …
Listen to “Lost”, as shared by CBC Kitchener Waterloo’s The Morning Edition.
KITCHENER — The voices of inmates at Grand Valley Institution for Women will be heard around the world through a groundbreaking new album released online. It’s the first album written and recorded at a federal women’s prison in Canada, and available for anyone to listen for free. “I hope that the music first of all moves them on its own …
“There’s a lot about this record that reminds me of Van Morrison, the deep spirituality and the fluid jazz notes being the foremost. Brown has a range of talents… He’s a fearless artist.”
“An album best heard in the late hours, preferably with a broken heart or a sense of ennui, PACEM is an excellent collection of songs on which to ponder.”
“The songs are big and bold, unafraid, unashamed to flaunt their heritage… This is the work of a veteran who still has things to say.”
“Pacem is about hope, grief and love, but first and foremost it is about friendship and the obvious joy of playing together.”
“…Toronto’s Stephen Stanley certainly sounds like the type of guy you’d like to hang out with — his is an engaging brand of rock for grown-ups, awash with E Street flourishes and head-bobbing harmonies. “
“Roots rock band have to mean it or things will apart pretty damn quickly. But when it’s done right, it can be great and heartfelt. Canadian quartet The Stephen Stanley Band are pushing all the right buttons on their new album Jimmy & the Moon…”
“Back in the early ‘90s, Lowest Of The Low seemed far ahead of their time in terms of adding true song craftsmanship to a post-punk template. Now with Jimmy & The Moon, the Stephen Stanley Band fully embodies that approach, while adding to the legacy of his past accomplishments.”
“Keeper of the Flame is a delicate, thoughtful shuffler led by piano and Brown’s sincere vocals that focuses on following your inner light.”
